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    • 21. 发明授权
    • Real time digital sound synthesizer
    • 实时数字声音合成器
    • US4201105A
    • 1980-05-06
    • US901489
    • 1978-05-01
    • Harold G. Alles
    • Harold G. Alles
    • G10H7/00G10H5/10G10H5/02
    • G10H7/002
    • Linearly binary-coded digital control signals representing specific time segments of musical sounds are used in part to control stepped ramp signal generators in a digital synthesizer which runs continuously on a fixed program. The ramp signals are used to control amplitude and frequency parameters of multiple digital oscillators that produce respective constituent tones of the musical sound segments. The synthesizer is operable in response to time-multiplexed digital control signals for multiple musical voices, one voice portion of which is also being computed in real time for multiplexing with previously computed and stored digital control signals for other voices. The indicated computations are effected by known techniques on a commercially available computer to translate performer-actuated transducer output signals, designating notes of a composition, into the aforementioned binary-coded digital control signals.
    • 表示音乐声音的特定时间段的线性二进制编码的数字控制信号部分地用于控制在固定程序上连续运行的数字合成器中的阶梯式斜坡信号发生器。 斜坡信号用于控制产生音乐声段的各个组成音调的多个数字振荡器的幅度和频率参数。 合成器可响应于用于多个音乐语音的时分多路复用数字控制信号而操作,其一个语音部分也正在实时计算,以便与先前计算和存储的数字控制信号进行多路复用以用于其他语音。 所指示的计算由商业计算机上的已知技术实现,以将执行者致动的换能器输出信号(组合的注释)转换成上述二进制编码的数字控制信号。
    • 23. 发明授权
    • Electronic music system
    • US4056996A
    • 1977-11-08
    • US589559
    • 1975-06-23
    • David A. Bunger
    • David A. Bunger
    • G10H1/043G10H1/057G10H1/02G10H5/10
    • G10H1/043G10H1/057G10H2210/211G10H2250/475Y10S84/02Y10S84/09Y10S84/20
    • A monophonic system includes means for voicing only tones derived in response to depression of a key associated with the highest pitched note when several keys are struck at approximately the same time, regardless of the order in which the keys are struck. If several keys are released at approximately the same time, only the tones derived in response to the highest remaining activated key are voiced, regardless of the release sequence. In response to the system being played legatissimo, voiced tones gradually shift in frequency, i.e., portamento is achieved. In response to the system being played staccatissimo, voiced tones shift in frequency in discrete steps. For unusual or special effect tone simulation, square wave tone signals derived from a frequency divider chain responsive to a voltage controlled oscillator, controlled primarily by the nomenclature of the highest pitch struck key, may be converted into a sawtooth waveform, a pulse waveform having a pulse width controlled by the highest pitch struck key, or can be left unaltered. Clicks and noise can be derived in response to key activations. The sawtooth, pulse, square wave, clicks and noise are fed through a filter selectively having band pass, low pass and high pass transfer characteristics that can be controlled with regard to resonant frequency and selectivity (Q) to provide additional unusual effects. A first group of tone signals derived from the frequency divider is processed to simulate flutes while a second group is processed to simulate brasses. In flute simulation, filtering of harmonics and passage to an output of the fundamental of the tone associated with the highest pitch struck key is assured by including in cascade a low pass filter and an amplifier having a variable gain characteristic directly related to the nomenclature of the highest pitch struck key. In brass simulation, an attack envelope having plural slopes is provided. Brass brightness is controlled by providing a variable wave shaper that responds to pedal control or is a transient function during the attack of the voice. Flatting during the attack of a brass tone is simulated by transiently reducing the voltage controlled oscillator frequency when a new highest pitch key is struck by an amount indicative of the nomenclature of the struck key. Attack rates of the flutes and unusual tones can be controlled to a plurality of values; if the system is in a percussive mode the attack rate is relatively fast. Roll-off rate of certain flute tones is fixed, while other flute tones and the unusual tones can be provided with a fixed roll-off or sustain effect. The voltage controlled oscillator frequency is modulated by a vibrato oscillator frequency, the frequency of which can be fixed or controlled in a random manner in response to a noise source to simulate brass vibrato effects.
    • 24. 发明授权
    • Tone generator system for an electronic organ
    • 电子琴发声系统
    • US4056033A
    • 1977-11-01
    • US622383
    • 1975-10-14
    • Michihiro InoueTakeji KimuraMasaharu SatoMasahiko Tsunoo
    • Michihiro InoueTakeji KimuraMasaharu SatoMasahiko Tsunoo
    • G10H1/08G10H5/10G10H1/02
    • G10H5/10G10H1/08
    • A tone generator system for an electronic organ which is capable of being fabricated into an LSI structure and receives a saw-tooth wave or staircase wave as an input thereto comprises a frequency divider for the saw-tooth wave or staircase wave including a ladder resistor network and a complementary MOS FET devices, an analog switch having a wide dynamic range and a high linearity in input-output transfer characteristic constructed by MOS FET devices to serve as an indirect keying means, a sustain means including a novel structure of a variable impedance element which is constructed to control a channel current in a MOS FET device by varying the potential distribution in the source region, and an impedance coverter constructed by complementary MOS FET devices and free from a D.C. level shift. With the above arrangement a tone generator system of high quality for an electronic organ is provided.
    • 一种能够制造成LSI结构并接收锯齿波或阶梯波作为输入的电子琴的音调发生器系统包括用于锯齿波的分频器或包括梯形电阻网络的阶梯波 以及互补MOS FET器件,具有由MOS FET器件构成的用作间接键控装置的输入输出传输特性中的宽动态范围和高线性度的模拟开关,包括可变阻抗元件的新颖结构的维持装置 其被构造为通过改变源区域中的电位分布来控制MOS FET器件中的沟道电流,以及由互补MOS FET器件构成并且没有DC电平偏移的阻抗覆盖器。 通过上述配置,提供了一种用于电子机器的高品质音调发生器系统。
    • 25. 发明授权
    • Monophonic electronic music system with apparatus for special effect tone simulation
    • 具有特殊效果音模拟的单声道电子音乐系统
    • US3801721A
    • 1974-04-02
    • US3801721D
    • 1972-06-16
    • BALDWIN CO D H
    • BUNGER D
    • G10H1/043G10H1/053G10H1/06G10H1/22G10H5/00G10H5/04G10H1/02G10H5/10
    • G10H1/06G10H5/002G10H5/04G10H2250/475Y10S84/02Y10S84/20
    • A monophonic system includes means for voicing only tones derived in response to depression of a key associated with the highest pitched note when several keys are struck at approximately the same time, regardless of the order in which the keys are struck. If several keys are released at approximately the same time, only the tones derived in response to the highest remaining activated key are voiced, regardless of the release sequence. In response to the system being played legatissimo, voiced tones gradually shift in frequency, i.e., portamento is achieved. In response to the system being played staccatissimo, voiced tones shift in frequency in discrete steps. For unusual or special effect tone simulation, square wave tone signals derived from a frequency divider chain responsive to a voltage controlled oscillator, controlled primarily by the nomenclature of the highest pitch struck key, may be converted into a sawtooth waveform, a pulse waveform having a pulse width controlled by the highest pitch struck key, or can be left unaltered. Clicks and noise can be derived in response to key activations. The sawtooth, pulse, square wave, clicks and noise are fed through a filter selectively having band pass, low pass and high pass transfer characteristics that can be controlled with regard to resonant frequency and selectivity (Q) to provide additional unusual effects. A first group of tone signals derived from the frequency divider is processed to simulate flutes while a second group is processed to simulate brasses. In flute simulation, filtering of harmonics and passage to an output of the fundamental of the tone associated with the highest pitch struck key is assured by including in cascade a low pass filter and an amplifier having a variable gain characteristic directly related to the nomenclature of the highest pitch struck key. In brass simulation, an attack envelope having plural slopes is provided. Brass brightness is controlled by providing a variable wave shaper that responds to pedal control or is a transient function during the attack of the voice. Flatting during the attack of a brass tone is simulated by transiently reducing the voltage controlled oscillator frequency when a new highest pitch key is struck by an amount indicative of the nomenclature of the struck key. Attack rates of the flutes and unusual tones can be controlled to a plurality of values; if the system is in a percussive mode the attack rate is relatively fast. Roll-off rate of certain flute tones is fixed, while other flute tones and the unusual tones can be provided with a fixed roll-off or sustain effect. The voltage controlled oscillator frequency is modulated by a vibrato through frequency is modulated by a oscillator, the frequency of which can be fixed or controlled in a random manner in response to a noise source to simulate brass vibrato effects.